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The_Art_That_May_Not_ExistArtist Name
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Long before the night that fixed it in the world’s imagination, Bethlehem was a crossroads town where three caravan routes converged. Nabataean traders brought frankincense, shepherd tribes descended from the hills with wool and hides, and Greek merchants paused en route from Gaza to the Jordan Valley. Its oldest shrines were not churches but wells — stone-ringed and talisman-marked — each tended by hereditary keepers whose authority predated kings.

Over centuries, empires passed through. Assyrian armies camped in its fields; under Persian rule it became a minor tax post; Roman engineers paved the roads but largely ignored the place. After Mary, Joseph, and the infant departed, life quickly returned to its old rhythms: dyeing wool, threshing grain, shaping clay jars in designs unchanged for generations.

Only decades later did pilgrims arrive, seeking traces of a moment the locals had not thought to mark. Ancient sites were reinterpreted: a wheat-spirit’s well became a holy spring; a shepherd’s byre turned into a relic. Beneath the familiar Nativity, another Bethlehem endures — older, quieter, woven into the wells, hills, and names unrecorded on any map.

A Shadow History of Bethlehem

£180.00Price
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  • Felix Bronson

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